Whilst I was taking some scoping snaps with my digital camera I remembered some of the photos that I’d made in the 1980s in this general location. The image below is one of the images that I remembered making using a Linhof Technika 70:
I recalled that in the 1980s I was visually attracted by the bareness of this landscape. It was a stripped, overgrazed landscape with just the odd tree hanging on. There was very little in the way of replanting or Landcare.
In a previous post on this archival blog I had mentioned my shift from street photography to topographics during the 1980s. This shift emerged whilst I was photographing around Osborne, Gillman and Outer Harbor along the Port River estuary on the Le Fevre Peninsula.
This is an example of my topographic approach to industrial type urbanscapes—a wasteland, if you like– that was made in the 1980s:
Another version of the topographical approach to this wasteland or ravaged landscape that was made in the same photo-session is here.
Whilst I was going through my archives looking for some better images to include in my portfolio for the Adelaide Photography 1970-2000 book— submissions have just been called— I came across a few images of River Red gums (Eucalyptus camaldulensis) along the River Murray in Victoria. I had more or less over forgotten about these mid-1980s images, as they were mixed up with some of the sand dune images of Adelaide’s coastal beaches in the archive.
The picture above was made on a late 1980s road trip in the VW Kombi along the southern coast of Australia then back along the River Murray. Other images from this road trip— e.g., the La Trobe Valley and the Riverland trunk images —can be found in this earlier post about the Adelaide Photography book. Continue reading →
This picture from the 1980s archives represents a change in the way that I had been photographing. It signifies a shift from the street photography and landscapes I had been doing previously to a more topographics style of photography:
It was a slow shift, as I was pretty much working blind. At this stage I was more or less trying to find suitable subject matter to photograph with the 5×7 Cambo view camera. I was slowly finding my feet photographing Adelaide as a place, and I didn’t really know what I was doing in terms of a topographic photography of altered landscapes in Adelaide. Continue reading →
I have been going through my 35mm archives looking through images from the 1980s to include in a possible artist book for the Mallee Routes project. This would be a book that is associated with the initial Mallee Routes exhibition at the Atkins Photo Lab in 2017.
At the exhibition I left a pile of small prints on a table for people to look at. It wasn’t a very successful mode of presentation. A book would be much better, if I have enough images.
I came across this image of an agricultural landscape in the eastern Mt Lofty Ranges amongst a number of other images of the Murray Mallee and the Riverland.
The picture was made with a Linhof Technika 70 in the same year as this image. From memory, it was taken a bit earlier the year. It was around 2004-5 when I was working as a staffer for a federal South Australian Senator. We had gone to see how little water there was on the floodplain during the decade long drought. Continue reading →
What the drought highlighted was the lack of environmental flows in the River Murray. Too much water had been taken by the upstream irrigators in Victoria, NSW and Queensland. So there had to be cutbacks to water extraction in order to ensure increased environmental flows for the river. That is when the politics over water reform in the Murray-Darling Basin erupted around the Murray-Darling Basin Plan (2012) that was based around water trading and water buybacks by the Commonwealth. Continue reading →