Whilst going through my archives looking for some better images to include in my portfolio, for the Adelaide Photography 1970-2000 book, I came across a few images of River Red gums (Eucalyptus camaldulensis) along the River Murray in Victoria. I had more or less over forgotten about these images, as they were mixed up with some of the sand dune images of Adelaide’s coastal beaches in the archive.
The picture above was made on a late 1980s road trip in the VW Kombi along the southern coast of Australia then back along the River Murray. Other images from this road trip— e.g., the La Trobe Valley and the Riverland trunk images —can be found in this earlier post about the Adelaide Photography book. Continue reading →
This picture from the 1980s archives represents a change in the way that I had been photographing. It signifies a shift from the street photography and landscapes I had been doing previously to a more topographics style of photography:
It was a slow shift, as I was pretty much working blind. At this stage I was more or less trying to find suitable subject matter to photograph with the 5×7 Cambo view camera. I was slowly finding my feet photographing Adelaide as a place, and I didn’t really know what I was doing in terms of a topographic photography of altered landscapes in Adelaide. Continue reading →
I have been going through my 35mm archives looking through images from the 1980s to include in a possible artist book for the Mallee Routes project. This would be a book that is associated with the initial Mallee Routes exhibition at the Atkins Photo Lab in 2017. I just left a pile of small prints on a table for people to look at. It wasn’t a very successful mode of presentation.
I came across this image of an agricultural landscape in the Mt Lofty Ranges amongst a number of other images of the Mallee and the Riverland.
From memory, this picture would have been made with a Leicaflex SLR whilst I was on a day trip around the Mt Lofty Ranges in the VW Kombi.
The picture was made with a Linhof Technika 70 in the same year as this image. From memory, it was taken a bit earlier the year. It was around 2004-5 when I was working as a staffer for a federal South Australian Senator. We had gone to see how little water there was on the floodplain during the decade long drought. Continue reading →
What the drought highlighted was the lack of environmental flows in the River Murray. Too much water had been taken by the upstream irrigators in Victoria, NSW and Queensland. So there had to be cutbacks to water extraction in order to ensure increased environmental flows for the river. That is when the politics over water reform in the Murray-Darling Basin erupted around the Murray-Darling Basin Plan (2012) that was based around water trading and water buybacks by the Commonwealth. Continue reading →
This picture of a melaleuca in the morning light was made on an early trip to the Coorong in South Australia in the late 1990s. We stayed at some cottages at a property called Gemini Downs, which was just north of Salt Creek. I remember that it was very cold at night and that the heating in the cabin was minimal.
This was an edgeland around Salt Creek and it was just outside the Coorong National Park. It used by fishermen to access the water, and from memory, there was a fishermans’ hut nearby. Continue reading →
This was one the first colour photographs that I made after my return to photography in the 1990s. I had stopped making photos whilst I was doing my PhD in philosophy at Flinders University of South Australia. I started the doctorate in the late 1980s and finished the PhD around 1998, then started to work as an academic on a casual basis. During the 1990s Suzanne, Fichte and I would sometimes go down to Victor Harbor on the southern Fleurieu Peninsula coast on the weekends to stay with Suzanne’s mother (Majorie Heath) at her place in Solway Crescent.
This photos is representation of the granite coast west of Petrel Cove and east of Dep’s Beach at Victor Harbor. It was made with my Linhof Technika 70 using a 6×7 film back. This modest and intermittent photographic restart would have been around the mid 199os before Majorie Heath died in 1997.
I had put all my large format cameras in a cupboard, stopped using black and white film for medium format, and only used b+w for 35m until I lost the Leica M4. I was inching back to photography using the old Linhof, a camera, which I am still using over 20 years latter. I was impressed by the coast, thought that it was an interesting location, and a good spot to pick up the pieces and make a modest return to photography. Continue reading →