This picture from the 1980s archives represents a change in the way that I had been photographing. It signifies a shift from the street photography and landscapes I had been doing previously to a more topographics style of photography:
It was a slow shift, as I was pretty much working blind. At this stage I was more or less trying to find suitable subject matter to photograph with the 5×7 Cambo view camera. I was slowly finding my feet photographing Adelaide as a place, and I didn’t really know what I was doing in terms of a topographic photography of altered landscapes in Adelaide. Continue reading →
I have been going through my 35mm archives looking through images from the 1980s to include in a possible artist book for the Mallee Routes project. This would be a book that is associated with the initial Mallee Routes exhibition at the Atkins Photo Lab in 2017. I just left a pile of small prints on a table for people to look at. It wasn’t a very successful mode of presentation.
I came across this image of an agricultural landscape in the Mt Lofty Ranges amongst a number of other images of the Mallee and the Riverland.
From memory, this picture would have been made with a Leicaflex SLR whilst I was on a day trip around the Mt Lofty Ranges in the VW Kombi.
The next step for me is to follow Adam’s advice and do a dummy book using BookWright, Blurb’s free desktop software, in order to see what the draft with images and text looks like as a book— as opposed to an idea in my head, or Stuart’s step— rough prints on sheets of folded up paper to have an tactile object in my hand as opposed to images on a computer screen. Continue reading →
I had a rudimentary studio setup whilst I was living and photographing in Bowden in the 1980s. There was a a table, a dark cloth as a background, available window light, a 5×7 Cambo monorail, the odd prop, and a solid Linhof tripod.
However, I didn’t do much with the setup. I made a few portraits and some still lives, such as this one of a banksia, which I’d purchased at the Adelaide Central Market and then a lowed to dry:
The results were okay, and I realised that I could do the studio stuff, even though the studio situation wasn’t ideal. The available window light was minimal, the exposures for the 5×7 Cambo monorail where very long (several hours), and the house shook if a truck went past on Gibson Street. So I’d have to start the photo shoot again. It was all too difficult really. Continue reading →
TheBowden Archives section of the photographic archive has been sorted and edited into a book, which is to be published in 2018. It consists of 50 images and two essays. I will now concentrate on other images from the archives:
In a previous post I mentioned that I would go to Victor Harbor occasionally. Suzanne, my partner’s mother lived at Victor Harbor and we started to go and stay there on the odd weekend. Whilst staying there I would walk around the rocky foreshore west ofd Petrel Cove photographing the rock formations:
I used an old Linhof Technika 70 camera for these rock abstractions.
After talking to a prospective publisher, the title of the manuscript has been changed from Bowden Archives and other Marginalia to The Bowden Archives. This cut down means that the book will be about Bowden as the non-Bowden images–eg., the coastal beaches, Port Adelaide, Adelaide hills etc– have now been pruned from the draft manuscript. They have been shifted to the historical section of the proposed Adelaide book.
I have been going through and scanning the 35mm negatives in the archive. The picture below is from the Kelly Dance–an evening of jigs and reels — that was put on by The Bush Dance Theatre:
This evening was sometimes in the 1980s. Unfortunately, I cannot recall where the musical evening was held or when. Continue reading →
A talk with a publisher about the material in the Bowden Archives and Other Marginalia becoming a book, it was suggested that the proposed book would work best as a book if it were cut down to The Bowden Archives. The non-Bowden material will go to the Adelaide book, which has been on the back burner. The focus on Bowden tightens the manuscript, which was starting to become unwieldy, and the simplification makes the focus of The Bowden Archives more centred around history and place. I have spent the last week going through the 35mm negatives of Bowden, and scanning the best of them.
An example of the pictures in the initial historical section of the Adelaide book would be these two pictures of the Port River estuary in this post. The first picture of the mangroves are a reminder that Port Adelaide in the early 19th century was once basically a mangrove swamp and marsh surrounding the Port River. Tides and drainage would continue to be major issues for residents until the first half of the 20th century.
The embankments along the river formed a basin within which the early residents worked and lived, but not without some fear. While the embankment kept the River at bay most of the time, the banks could be breached by a high tide. The basin shape meant that any water, even rain, pooled in the town with no drainage outlets.