In a previous post on this archival blog I had mentioned my shift from street photography to topographics during the 1980s. This shift emerged whilst I was photographing around Osborne, Gillman and Outer Harbor along the Port River estuary on the Le Fevre Peninsula.
This is an example of my topographic approach to industrial type urbanscapes—a wasteland, if you like– that was made in the 1980s:
Another version of the topographical approach to this wasteland or ravaged landscape that was made in the same photo-session is here.
Whilst I was going through my archives looking for some better images to include in my portfolio for the Adelaide Photography 1970-2000 book— submissions have just been called— I came across a few images of River Red gums (Eucalyptus camaldulensis) along the River Murray in Victoria. I had more or less over forgotten about these mid-1980s images, as they were mixed up with some of the sand dune images of Adelaide’s coastal beaches in the archive.
The picture above was made on a late 1980s road trip in the VW Kombi along the southern coast of Australia then back along the River Murray. Other images from this road trip— e.g., the La Trobe Valley and the Riverland trunk images —can be found in this earlier post about the Adelaide Photography book. Continue reading →
This picture from the 1980s archives represents a change in the way that I had been photographing. It signifies a shift from the street photography and landscapes I had been doing previously to a more topographics style of photography:
It was a slow shift, as I was pretty much working blind. At this stage I was more or less trying to find suitable subject matter to photograph with the 5×7 Cambo view camera. I was slowly finding my feet photographing Adelaide as a place, and I didn’t really know what I was doing in terms of a topographic photography of altered landscapes in Adelaide. Continue reading →
I have been going through my 35mm archives looking through images from the 1980s to include in a possible artist book for the Mallee Routes project. This would be a book that is associated with the initial Mallee Routes exhibition at the Atkins Photo Lab in 2017. I just left a pile of small prints on a table for people to look at. It wasn’t a very successful mode of presentation.
I came across this image of an agricultural landscape in the Mt Lofty Ranges amongst a number of other images of the Mallee and the Riverland.
From memory, this picture would have been made with a Leicaflex SLR whilst I was on a day trip around the Mt Lofty Ranges in the VW Kombi.
The next step for me is to follow Adam’s advice and do a dummy book using BookWright, Blurb’s free desktop software, in order to see what the draft with images and text looks like as a book— as opposed to an idea in my head, or Stuart’s step— rough prints on sheets of folded up paper to have an tactile object in my hand as opposed to images on a computer screen. Continue reading →
I had a rudimentary studio setup whilst I was living and photographing in Bowden in the 1980s. There was a a table, a dark cloth as a background, available window light, a 5×7 Cambo monorail, the odd prop, and a solid Linhof tripod.
However, I didn’t do much with the setup. I made a few portraits and some still lives, such as this one of a banksia, which I’d purchased at the Adelaide Central Market and then a lowed to dry:
The results were okay, and I realised that I could do the studio stuff, even though the studio situation wasn’t ideal. The available window light was minimal, the exposures for the 5×7 Cambo monorail where very long (several hours), and the house shook if a truck went past on Gibson Street. So I’d have to start the photo shoot again. It was all too difficult really. Continue reading →
TheBowden Archives section of the photographic archive has been sorted and edited into a book, which is to be published in 2018. It consists of 50 images and two essays. I will now concentrate on other images from the archives:
In a previous post I mentioned that I would go to Victor Harbor occasionally. Suzanne, my partner’s mother lived at Victor Harbor and we started to go and stay there on the odd weekend. Whilst staying there I would walk around the rocky foreshore west ofd Petrel Cove photographing the rock formations:
I used an old Linhof Technika 70 camera for these rock abstractions.