This picture of dead trees on the Chowilla floodplain in South Australia was made during the decade long drought in the Murray-Darling Basin, which ran from around 2000 to 2010. It broke with the emergence of the La Niña weather conditions in 2010. The photo was made about 2003/4 with my old Linhof Technika 70.
What the drought highlighted was the lack of environmental flows in the River Murray. Too much water had been taken by the upstream irrigators in Victoria, NSW and Queensland. So there had to be cutbacks to water extraction in order to ensure increased environmental flows for the river. That is when the politics over water reform in the Murray-Darling Basin erupted around the Murray-Darling Basin Plan (2012) that was based around water trading and water buybacks by the Commonwealth. Continue reading
This was one the first colour photographs that I made after my return to photography in the 1990s. I had stopped making photos whilst I was doing my PhD in philosophy at Flinders University of South Australia. I started the doctorate in the late 1980s and finished the PhD around 1998, then started to work as an academic on a casual basis. During the 1990s Suzanne, Fichte and I would sometimes go down to Victor Harbor on the southern Fleurieu Peninsula coast on the weekends to stay with Suzanne’s mother (Majorie Heath) at her place in Solway Crescent.
This photos is representation of the granite coast west of Petrel Cove and east of Dep’s Beach at Victor Harbor. It was made with my Linhof Technika 70 using a 6×7 film back. This modest and intermittent photographic restart would have been around the mid 199os before Majorie Heath died in 1997.
sea + granite, Petrel Cove
I had put all my large format cameras in a cupboard, stopped using black and white film for medium format, and only used b+w for 35m until I lost the Leica M4. I was inching back to photography using the old Linhof, a camera, which I am still using over 20 years latter. I was impressed by the coast, thought that it was an interesting location, and a good spot to pick up the pieces and make a modest return to photography. Continue reading