Whilst digging through the large format archives I came across some negatives that reminded me of a road trip to the Yorke Peninsula that I had made in the 1990s in the VW Kombi.
Slowly, fragments of the trip came back. I remembered that I was living alone at Kate Court in the south-east corner of Adelaide as I’d broken up with my partner and I was still doing the PhD at Flinders University. On this trip Fichte, the standard poodle, accompanied me and he sat in the front passenger seat; I slept in the Kombi overnight; and I had made some large format photographs around the towns of Wallaroo and Androssan.
My memory then slips into vagueness. Prior to coming across these negatives my clear memory was that I had only visited Wallaroo in 2018 as a precursor to trying out camping in a caravan park. That was the occasion when I wanted to to see if camping would work for me for the Mallee Routes project.
This memory was misleading because I did have a sense of the flatness of York Peninsula from previous trips to Innes National Park. However, I had forgotten all about the large format photography on the 1990s road trip until I saw the negatives of the silos at Wallaroo that were made using the old Super Cambo 8×10 monorail.
As noted in some of the earlier posts in this blog the third section of The Bowden Archives and Other Marginalia consists of the various road trips of different kinds that I made whilst I was living in Bowden, then Ovingham, and finally in the south-east corner of Adelaide.
I’ve started working on the Bowden Archives book, though in a casual way as I’m slowly easing myself into an earlier draft of the book. The current work so far has primarily been picking up the old texts, starting to rework them into some sort of rough shape, and flicking through my archives.
A initial draft of the Preface has been written, as has an early draft of the text for the first section, which consists of street photography images. In the 70s and 80s I was using a Leica M-4 with black and white film as my main walkabout camera, and the text for this section is on, and briefly about, a snapshot culture. I have basically re-defined the street photography that I did as snapshots, or as photos belonging to the snapshot culture.
The third section of the book is tentatively titled ‘road trips’. It will be thinner than the other two sections, but it will point towards my future photography in the first decade of the 21st century. At this stage I have no idea what kind of text I am going to write for this part of the book.
By the 1990s I no longer had a wet darkroom and I was busy finishing my PhD in philosophy at Flinders University of South Australia. Photography was on the back burner and the photography that I did in the 1990s was basically done whilst Suzanne and I went on various holidays and road trips. The above photos was on one trip to Kangaroo Island, which I’d never been to.
Whilst I was going through my archives looking for some better images to include in my portfolio for the Adelaide Photography 1970-2000 book— submissions have just been called— I came across a few images of River Red gums (Eucalyptus camaldulensis) along the River Murray in Victoria. I had more or less over forgotten about these mid-1980s images, as they were mixed up with some of the sand dune images of Adelaide’s coastal beaches in the archive.
The picture above was made on a late 1980s road trip in the VW Kombi along the southern coast of Australia then back along the River Murray. Other images from this road trip— e.g., the La Trobe Valley and the Riverland trunk images —can be found in this earlier post about the Adelaide Photography book. Continue reading →
This was one the first colour photographs that I made after my return to photography in the 1990s. I had stopped making photos whilst I was doing my PhD in philosophy at Flinders University of South Australia. I started the doctorate in the late 1980s and finished the PhD around 1998, then started to work as an academic on a casual basis. During the 1990s Suzanne, Fichte and I would sometimes go down to Victor Harbor on the southern Fleurieu Peninsula coast on the weekends to stay with Suzanne’s mother (Majorie Heath) at her place in Solway Crescent.
This photos is representation of the granite coast west of Petrel Cove and east of Dep’s Beach at Victor Harbor. It was made with my Linhof Technika 70 using a 6×7 film back. This modest and intermittent photographic restart would have been around the mid 199os before Majorie Heath died in 1997.
I had put all my large format cameras in a cupboard, stopped using black and white film for medium format, and only used b+w for 35m until I lost the Leica M4. I was inching back to photography using the old Linhof, a camera, which I am still using over 20 years latter. I was impressed by the coast, thought that it was an interesting location, and a good spot to pick up the pieces and make a modest return to photography. Continue reading →
In looking over the non-Bowden 1980’s photographic archives for the proposed book on Adelaide photography I realised that I was in the process of making a shift from the then fashionable street style photography of the 1970s to a more topographic approach. Fashionable in the sense that New York in the 1960s was the centre of photography with Winogrand, Friedlander and Meyerowitz laying down the classic grooves for street photography.
This is an example of the street photography in Adelaide’s CBD that was made from a public space in the 1980s:
Street photography is candid photography –in this case it is a photo of an office worker walking west along Franklin St after leaving the office in the late afternoon. This was during an Adelaide summer and it was a time when white socks and sandals were the summer fashion for men. This fashion was much more practical in 40 degrees heat than the traditional tie and suit.
The next stage in the archive project after The Bowden Archives is a book with Adam Dutkiewicz entitled Adelaide Photography: from the 1970s –2000 to be published by Moon Arrow Press. It is a historical project that is a step to filling in the large gaps in the history of Australian photography and Adelaide’s late 20th century visual culture.
The next step for me is to follow Adam’s advice and do a dummy book using BookWright, Blurb’s free desktop software, in order to see what the draft with images and text looks like as a book— as opposed to an idea in my head, or Stuart’s step— rough prints on sheets of folded up paper to have an tactile object in my hand as opposed to images on a computer screen. Continue reading →
I had a rudimentary studio setup whilst I was living and photographing in Bowden in the 1980s. There was a a table, a dark cloth as a background, available window light, a 5×7 Cambo monorail, the odd prop, and a solid Linhof tripod.
However, I didn’t do much with the setup. I made a few portraits and some still lives, such as this one of a banksia, which I’d purchased at the Adelaide Central Market and then a lowed to dry:
The results were okay, and I realised that I could do the studio stuff, even though the studio situation wasn’t ideal. The available window light was minimal, the exposures for the 5×7 Cambo monorail where very long (several hours), and the house shook if a truck went past on Gibson Street. So I’d have to start the photo shoot again. It was all too difficult really. Continue reading →
In the previous post I mentioned that I would now concentrate on other images from the archives now that The Bowden Archives has all the images it needs. I have recently been mulling over what to do with these non-Bowden images, and I have decided that some will go into the Adelaide book whilst the others will go towards a new book project with Moon Arrow Press.
This is the independent press run by Adam Jan Dutkiewicz and which published my Abstract Photography book in 2016. Adam and I had a chat about this Adelaide photography book recently, and we tentatively agreed to start working on it next year, after he finishes Volume 2 of the Visual History of the Royal South Australia Society of Arts book. Continue reading →