starting over again

This was one the first colour photographs that I made after my return to photography in the 1990s.  I had stopped making  photos  whilst I was doing my PhD in philosophy at Flinders University  of South Australia. I started the doctorate in the late 1980s and finished the PhD around 1998,  then   started to work as an academic on a casual basis.   During the 1990s Suzanne, Fichte and  I would sometimes  go down to Victor Harbor on the southern Fleurieu Peninsula coast on the weekends to stay with Suzanne’s  mother (Majorie Heath) at her place in Solway Crescent.

This photos  is  representation of the granite coast  west of Petrel Cove and east of Dep’s Beach at Victor Harbor.   It was made with my Linhof Technika 70   using  a  6×7 film back.  This  modest and intermittent photographic restart would have been around the mid 199os before  Majorie Heath died in 1997.

sea + granite, Petrel Cove

I had put  all my large format cameras in a cupboard, stopped using black and white film for medium format, and only used b+w for 35m until I lost the Leica M4.    I was inching back to photography  using the  old Linhof, a camera, which  I am still using over 20 years latter. I was impressed by the coast, thought that it was an interesting  location, and a good spot to pick up the pieces and make a modest return to  photography.    Continue reading

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from street to topographic photography

In looking over the non-Bowden  1980’s  photographic archives  for the proposed book on Adelaide photography  I realised that I was in the process of making  a shift  from  the then  fashionable  street  style photography of the 1970s to  a more topographic approach. Fashionable in the sense that New York in the 1960s was the centre of  photography with  Winogrand, Friedlander and Meyerowitz  laying down  the classic grooves for street photography.

This is an example of the street  photography  in Adelaide’s CBD that was made from a public space in the 1980s:

Franklin St, Adelaide

Street photography  is   candid photography –in this case it is a photo  of an office worker walking west along Franklin St after  leaving  the office in the late afternoon. This was  during an Adelaide  summer and it was a time  when white socks and sandals were the  summer fashion for men.  This fashion was much more practical in 40 degrees heat  than the traditional tie and suit.

Continue reading

Adelaide Art Photography: 1970-2000

The next stage in the archive project after The Bowden Archives  is a book with Adam Dutkiewicz entitled Adelaide Photography: from the 1970s –2000 to be published by Moon Arrow Press.  It is a  historical project that is a step to filling in the large  gaps in the history of Australian photography and Adelaide’s late 20th century visual culture.

Tree, South Rd, Adelaide

Adam and I have talked about starting work on the Adelaide photography  book after he has completed  A Visual History of  the Royal South Australian Society of Arts 1856-2016 Volume 2 book.  At this stage the start would be  towards the end of 2017,  or the beginning of 2018. Continue reading

The Bowden Archives: a draft

Thanks to the  generous help  of my friends, Judith Crispin, Stuart Murdoch, Paul Atkins at Atkins Photo Lab and Adam Dutkiewicz at Moon Arrow Press  I now have a first draft of the Bowden Archives: Memory,  Text,  Place. The pictures have  a narrative of their own now and some sort of coherence. That was something I could not do on my own, as I was too close to the pictures.

Warehouse, Bowden

The next step for me is to  follow Adam’s advice and do a dummy book  using  BookWright,  Blurb’s free desktop software, in order  to see what  the draft with images and text looks like as a book— as opposed to an idea in my head, or Stuart’s step—   rough prints on sheets of folded up paper to have an tactile object in my hand as opposed to images on a computer screen.   Continue reading

still life

I had a rudimentary studio setup whilst I was living and photographing in Bowden in the 1980s. There was a a table, a dark cloth as  a background,  available window light,  a 5×7 Cambo monorail,  the odd prop,  and a solid Linhof tripod.

However,  I didn’t do much with the setup. I made a  few portraits  and some still lives,  such as this one of a  banksia, which  I’d  purchased at the Adelaide Central Market and then a lowed to dry:

banksia still life

The results were okay,  and  I realised that I could do the studio stuff, even though the studio situation wasn’t ideal.  The available window light was minimal,  the exposures for the 5×7 Cambo monorail where very  long (several hours), and  the house shook if a truck went past on Gibson Street.  So  I’d have to start the photo shoot again.  It was all too difficult really.  Continue reading

suburbia, northern Adelaide

In the previous post I mentioned that I would now concentrate on other images from the archives now that The Bowden Archives  has all the images it needs. I have recently been mulling over what to do with these non-Bowden images,  and I have decided that some will go into the Adelaide book whilst the others will go towards a new book project with Moon Arrow Press.

suburbia, northern Adelaide

This is the independent  press  run by Adam Jan Dutkiewicz and which published my Abstract Photography book in 2016.  Adam and I had a chat about this Adelaide photography book recently,   and we tentatively agreed  to start working on  it next year,  after  he finishes Volume 2 of the Visual History of the Royal South Australia Society of Arts book.    Continue reading

rock abstract

The Bowden Archives section of the photographic  archive has been sorted and edited into a book, which is  to  be published in 2018.  It consists of  50 images and two essays. I will now concentrate on other images from the archives:

In a previous post I mentioned that I would go to Victor Harbor occasionally.  Suzanne, my partner’s mother lived at Victor Harbor and we started to go and stay there on the odd weekend. Whilst staying there  I would walk around the rocky foreshore west ofd Petrel Cove photographing the rock formations:

rock abstract, Petrel Cove

I used an old Linhof Technika 70 camera for these rock abstractions.