Roadtrip: Wallaroo + memories

Whilst digging through the large format archives I came across some negatives that reminded me of a road trip to the Yorke Peninsula that I had made in the 1990s in the VW Kombi.

Slowly, fragments of the trip came back. I remembered that I was living alone at Kate Court in the south-east corner of Adelaide as I’d broken up with my partner and I was still doing the PhD at Flinders University. On this trip Fichte, the standard poodle, accompanied me and he sat in the front passenger seat; I slept in the Kombi overnight; and I had made some large format photographs around the towns of Wallaroo and Androssan.

My memory then slips into vagueness. Prior to coming across these negatives my clear memory was that I had only visited Wallaroo in 2018 as a precursor to trying out camping in a caravan park. That was the occasion when I wanted to to see if camping would work for me for the Mallee Routes project.

silos, Wallaroo, Yorke Peninsula

This memory was misleading because I did have a sense of the flatness of York Peninsula from previous trips to Innes National Park. However, I had forgotten all about the large format photography on the 1990s road trip until I saw the negatives of the silos at Wallaroo that were made using the old Super Cambo 8×10 monorail.

Roadtrips: Andamooka

As noted in some of the earlier posts in this blog the third section of The Bowden Archives and Other Marginalia consists of the various road trips of different kinds that I made whilst I was living in Bowden, then Ovingham, and finally in the south-east corner of Adelaide.

The mini trips include those around the edge of Adelaide: those to the suburban beaches to escape the summer heat in Bowden; explorations around Port Adelaide; trips to the Mt Lofty Ranges, then to Victor Harbor (and Kangaroo Island). The longer roadtrips were to the South Australian Mallee and the mid-north, and those along the River Murray to Melbourne and the east coast of Australia.

The last road trip, which would close the third section, is the trip that I made in the 1990s to the opal mining town of Andamooka in the northern part of South Australia.

dugout, Andamooka, 1990s

A colour version of this picture of this shelter or dugout can be seen here on my ‘On the Road’ Tumblr blog. I made a couple of colour photos on this trip.

The 1990’s: turning to colour

I’ve started working on the Bowden Archives book, though in a casual way as I’m slowly easing myself into an earlier draft of the book. The current work so far has primarily been picking up the old texts, starting to rework them into some sort of rough shape, and flicking through my archives.

A initial draft of the Preface has been written, as has an early draft of the text for the first section, which consists of street photography images. In the 70s and 80s I was using a Leica M-4 with black and white film as my main walkabout camera, and the text for this section is on, and briefly about, a snapshot culture. I have basically re-defined the street photography that I did as snapshots, or as photos belonging to the snapshot culture.

The third section of the book is tentatively titled ‘road trips’. It will be thinner than the other two sections, but it will point towards my future photography in the first decade of the 21st century. At this stage I have no idea what kind of text I am going to write for this part of the book.

Wetlands, Kangaroo Island, SA 1995

By the 1990s I no longer had a wet darkroom and I was busy finishing my PhD in philosophy at Flinders University of South Australia. Photography was on the back burner and the photography that I did in the 1990s was basically done whilst Suzanne and I went on various holidays and road trips. The above photos was on one trip to Kangaroo Island, which I’d never been to.

at Barmah National Park

Whilst I was  going through my archives  looking for some better images to include in my portfolio for the Adelaide Photography 1970-2000 book— submissions have just been called— I came across a few images of River Red gums (Eucalyptus camaldulensis) along the River Murray in Victoria.  I had more or less over forgotten about these mid-1980s images, as they were mixed up with  some of the  sand dune  images of  Adelaide’s coastal beaches in the archive.

Red River Gum, Barmah National Forest

The picture  above was made on a late 1980s road trip in the VW Kombi  along the southern coast of Australia then back along the River Murray. Other images from this road trip— e.g.,  the La Trobe Valley and  the Riverland trunk images —can be found  in this  earlier post about  the Adelaide Photography book.  Continue reading

starting over again

This was one the first colour photographs that I made after my return to photography in the 1990s.  I had stopped making  photos  whilst I was doing my PhD in philosophy at Flinders University  of South Australia. I started the doctorate in the late 1980s and finished the PhD around 1998,  then   started to work as an academic on a casual basis.   During the 1990s Suzanne, Fichte and  I would sometimes  go down to Victor Harbor on the southern Fleurieu Peninsula coast on the weekends to stay with Suzanne’s  mother (Majorie Heath) at her place in Solway Crescent.

This photos  is  representation of the granite coast  west of Petrel Cove and east of Dep’s Beach at Victor Harbor.   It was made with my Linhof Technika 70   using  a  6×7 film back.  This  modest and intermittent photographic restart would have been around the mid 199os before  Majorie Heath died in 1997.

sea + granite, Petrel Cove

I had put  all my large format cameras in a cupboard, stopped using black and white film for medium format, and only used b+w for 35m until I lost the Leica M4.    I was inching back to photography  using the  old Linhof, a camera, which  I am still using over 20 years latter. I was impressed by the coast, thought that it was an interesting  location, and a good spot to pick up the pieces and make a modest return to  photography.    Continue reading

from street to topographic photography

In looking over the non-Bowden  1980’s  photographic archives  for the proposed book on Adelaide photography  I realised that I was in the process of making  a shift  from  the then  fashionable  street  style photography of the 1970s to  a more topographic approach. Fashionable in the sense that New York in the 1960s was the centre of  photography with  Winogrand, Friedlander and Meyerowitz  laying down  the classic grooves for street photography.

This is an example of the street  photography  in Adelaide’s CBD that was made from a public space in the 1980s:

Franklin St, Adelaide

Street photography  is   candid photography –in this case it is a photo  of an office worker walking west along Franklin St after  leaving  the office in the late afternoon. This was  during an Adelaide  summer and it was a time  when white socks and sandals were the  summer fashion for men.  This fashion was much more practical in 40 degrees heat  than the traditional tie and suit.

Continue reading

Adelaide Art Photography: 1970-2000

The next stage in the archive project after The Bowden Archives  is a book with Adam Dutkiewicz entitled Adelaide Photography: from the 1970s –2000 to be published by Moon Arrow Press.  It is a  historical project that is a step to filling in the large  gaps in the history of Australian photography and Adelaide’s late 20th century visual culture.

Tree, South Rd, Adelaide

Adam and I have talked about starting work on the Adelaide photography  book after he has completed  A Visual History of  the Royal South Australian Society of Arts 1856-2016 Volume 2 book.  At this stage the start would be  towards the end of 2017,  or the beginning of 2018. Continue reading

The Bowden Archives: a draft

Thanks to the  generous help  of my friends, Judith Crispin, Stuart Murdoch, Paul Atkins at Atkins Photo Lab and Adam Dutkiewicz at Moon Arrow Press  I now have a first draft of the Bowden Archives: Memory,  Text,  Place. The pictures have  a narrative of their own now and some sort of coherence. That was something I could not do on my own, as I was too close to the pictures.

Warehouse, Bowden

The next step for me is to  follow Adam’s advice and do a dummy book  using  BookWright,  Blurb’s free desktop software, in order  to see what  the draft with images and text looks like as a book— as opposed to an idea in my head, or Stuart’s step—   rough prints on sheets of folded up paper to have an tactile object in my hand as opposed to images on a computer screen.   Continue reading

still life

I had a rudimentary studio setup whilst I was living and photographing in Bowden in the 1980s. There was a a table, a dark cloth as  a background,  available window light,  a 5×7 Cambo monorail,  the odd prop,  and a solid Linhof tripod.

However,  I didn’t do much with the setup. I made a  few portraits  and some still lives,  such as this one of a  banksia, which  I’d  purchased at the Adelaide Central Market and then a lowed to dry:

banksia still life

The results were okay,  and  I realised that I could do the studio stuff, even though the studio situation wasn’t ideal.  The available window light was minimal,  the exposures for the 5×7 Cambo monorail where very  long (several hours), and  the house shook if a truck went past on Gibson Street.  So  I’d have to start the photo shoot again.  It was all too difficult really.  Continue reading

suburbia, northern Adelaide

In the previous post I mentioned that I would now concentrate on other images from the archives now that The Bowden Archives  has all the images it needs. I have recently been mulling over what to do with these non-Bowden images,  and I have decided that some will go into the Adelaide book whilst the others will go towards a new book project with Moon Arrow Press.

suburbia, northern Adelaide

This is the independent  press  run by Adam Jan Dutkiewicz and which published my Abstract Photography book in 2016.  Adam and I had a chat about this Adelaide photography book recently,   and we tentatively agreed  to start working on  it next year,  after  he finishes Volume 2 of the Visual History of the Royal South Australia Society of Arts book.    Continue reading