When going through my large format archives the other day I came across some images I’d made of the River Torrens (Karrawirra Parri) as it flowed through the Adelaide Parklands near Coopers Brewery on the corner of Port Rd and Park Terrace.
I often wandered around this section of the parklands when I was living in Bowden, as it was just a few minutes walk from the studio in Gibson St, and so much quicker to access than the seaside beaches or Port Adelaide.
I would often walk Fiche, my standard poodle, there in the morning or in the afternoon. We would usually walk through Park 27A (now known as the John E. Brown Park) across the Railway Bridge, to the weir at the base of Torrens Lake. Sometimes we would skirt around the Adelaide Gaol on our way to the Morphett St Bridge, Elder Park and the Festival Centre.
As noted in some of the earlier posts in this blog the third section of The Bowden Archives and Other Marginalia consists of the various road trips of different kinds that I made whilst I was living in Bowden, then Ovingham, and finally in the south-east corner of Adelaide.
I’ve started working on the Bowden Archives book, though in a casual way as I’m slowly easing myself into an earlier draft of the book. The current work so far has primarily been picking up the old texts, starting to rework them into some sort of rough shape, and flicking through my archives.
A initial draft of the Preface has been written, as has an early draft of the text for the first section, which consists of street photography images. In the 70s and 80s I was using a Leica M-4 with black and white film as my main walkabout camera, and the text for this section is on, and briefly about, a snapshot culture. I have basically re-defined the street photography that I did as snapshots, or as photos belonging to the snapshot culture.
The third section of the book is tentatively titled ‘road trips’. It will be thinner than the other two sections, but it will point towards my future photography in the first decade of the 21st century. At this stage I have no idea what kind of text I am going to write for this part of the book.
By the 1990s I no longer had a wet darkroom and I was busy finishing my PhD in philosophy at Flinders University of South Australia. Photography was on the back burner and the photography that I did in the 1990s was basically done whilst Suzanne and I went on various holidays and road trips. The above photos was on one trip to Kangaroo Island, which I’d never been to.
This leaves the Bowden Archives and Other Marginalia project to be completed as a book. It will have 3 sections. The first one is on street photography in Melbourne (circa 1977-9) after I’d finishing studying at the Photography Studies College and snapshots in Adelaide. The middle section will consist of the Bowden photographs. The third section includes photographs made on various road trips around and outside of Adelaide.
The picture below would be part of the third section, if it makes the cut:
I have pulled the Bowden project from being published by Wakefield Press, who will now be publishing the Tasmanian Elegies project. The Bowden Archives and Other Marginalia book will be published by Moon Arrow Press in 2021.
Whilst I was taking some scoping snaps with my digital camera I remembered some of the photos that I’d made in the 1980s in this general location. The image below is one of the images that I remembered making using a Linhof Technika 70:
I recalled that in the 1980s I was visually attracted by the bareness of this landscape. It was a stripped, overgrazed landscape with just the odd tree hanging on. There was very little in the way of replanting or Landcare.
In a previous post on this archival blog I had mentioned my shift from street photography to topographics during the 1980s. This shift emerged whilst I was photographing around Osborne, Gillman and Outer Harbor along the Port River estuary on the Le Fevre Peninsula.
This is an example of my topographic approach to industrial type urbanscapes—a wasteland, if you like– that was made in the 1980s:
Another version of the topographical approach to this wasteland or ravaged landscape that was made in the same photo-session is here.
Whilst I was going through my archives looking for some better images to include in my portfolio for the Adelaide Photography 1970-2000 book— submissions have just been called— I came across a few images of River Red gums (Eucalyptus camaldulensis) along the River Murray in Victoria. I had more or less over forgotten about these mid-1980s images, as they were mixed up with some of the sand dune images of Adelaide’s coastal beaches in the archive.
The picture above was made on a late 1980s road trip in the VW Kombi along the southern coast of Australia then back along the River Murray. Other images from this road trip— e.g., the La Trobe Valley and the Riverland trunk images —can be found in this earlier post about the Adelaide Photography book. Continue reading →
This picture from the 1980s archives represents a change in the way that I had been photographing. It signifies a shift from the street photography and landscapes I had been doing previously to a more topographics style of photography:
It was a slow shift, as I was pretty much working blind. At this stage I was more or less trying to find suitable subject matter to photograph with the 5×7 Cambo view camera. I was slowly finding my feet photographing Adelaide as a place, and I didn’t really know what I was doing in terms of a topographic photography of altered landscapes in Adelaide. Continue reading →
I have been going through my 35mm archives looking through images from the 1980s to include in a possible artist book for the Mallee Routes project. This would be a book that is associated with the initial Mallee Routes exhibition at the Atkins Photo Lab in 2017.
At the exhibition I left a pile of small prints on a table for people to look at. It wasn’t a very successful mode of presentation. A book would be much better, if I have enough images.
I came across this image of an agricultural landscape in the eastern Mt Lofty Ranges amongst a number of other images of the Murray Mallee and the Riverland.
The picture was made with a Linhof Technika 70 in the same year as this image. From memory, it was taken a bit earlier the year. It was around 2004-5 when I was working as a staffer for a federal South Australian Senator. We had gone to see how little water there was on the floodplain during the decade long drought. Continue reading →