starting over again

This was one the first colour photographs that I made after my return to photography in the 1990s.  I had stopped making  photos  whilst I was doing my PhD in philosophy at Flinders University  of South Australia. I started the doctorate in the late 1980s and finished the PhD around 1998,  then   started to work as an academic on a casual basis.   During the 1990s Suzanne, Fichte and  I would sometimes  go down to Victor Harbor on the southern Fleurieu Peninsula coast on the weekends to stay with Suzanne’s  mother (Majorie Heath) at her place in Solway Crescent.

This photos  is  representation of the granite coast  west of Petrel Cove and east of Dep’s Beach at Victor Harbor.   It was made with my Linhof Technika 70   using  a  6×7 film back.  This  modest and intermittent photographic restart would have been around the mid 199os before  Majorie Heath died in 1997.

sea + granite, Petrel Cove

I had put  all my large format cameras in a cupboard, stopped using black and white film for medium format, and only used b+w for 35m until I lost the Leica M4.    I was inching back to photography  using the  old Linhof, a camera, which  I am still using over 20 years latter. I was impressed by the coast, thought that it was an interesting  location, and a good spot to pick up the pieces and make a modest return to  photography.    Continue reading

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sand dunes

The beach is more than a space for people to walk, sunbath and swim. It has a past and a future  and this indicates  that  the sand dunes and the fragile dune  vegetation are in  need different forms of coastal protection and management.   Hence the use of both sand-drift fencing to help restore and protect dune systems from erosion, by trapping wind-blown sand in the vicinity of the fence where natural vegetation is not sufficient to do so effectively, and various  revegetation and restoration projects.

sand dunes, Adelaide

sand dunes, coastal Adelaide

Beaches have a history and for Adelaide’s coastal beaches this history  is one of coastal degradation.

Prior to European settlement, the beaches were naturally replenished from the dunes and the southern beaches,  and therefore sand movement could continue almost indefinitely. Predominant wave energy hitting beaches from the southwest naturally shifted sand in a northerly direction along the coastline with most of the sand accumulating at Semaphore and North Haven. Development along our coast however, has resulted in large quantities of the sand supply either being ‘locked up’ (eg., ate the harbours at Glenelg and West Beach) or removed from the beach system, preventing natural replenishment.  As a result, natural processes and coastal storms have continually eroded beach width, and without artificial replenishment, the sand will continue to erode away, exposing the underlying hard rocks and clays. Continue reading

Past futures: the beach

Past Futures is the working title for the third section of The Bowden Archives and Other Marginalia. This section maps the space outside of Adelaide’s CBD and Bowden-Brompton. It represents an escape from the confines of  the city, sometimes in  the form of  day trips to the Adelaide Hills and Mt Lofty Ranges; trips to Melbourne and along the River Murray.

Escaping the confines of Bowden  during the summer heat was necessary and I would often go to Adelaide’s coastal beaches in the late afternoon. I would usually park the Kombi at  Largs Bay in the late afternoon and walk along the flat open stretch of sand to North Haven and back with Fichte, my standard poodle.

couple, Larg's Bay

couple, Largs Bay

This was a time when people sunbathed  on the beach and they didn’t really worry about effective sunscreen to prevent melanomas and skin cancer, even though the Slip, Slop, Slap!  health campaign was launched in 1981 by the Cancer Council as part of its SunSmart campaign.    The beach was a hedonistic holiday zone–a shared space of relaxation–with minimal shade from the burning sun.
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seascapes + memory

As I go through my black and white archives  from the 1980s for The Bowden Archives and Other Marginala book   I am starting to come across  some seascape images that I cannot recall making.   Nor can I recall their location,   the camera that I used, or even when they were made. Since my personal memory is unreliable my memory of these past events is going to have to be constructed.

The negatives had been stored  away in an old, red  filing cabinet  with no information other than a tab that  just says ‘Landscape Studies’.  An example:

coastal rocks

coastal rocks, Petrel Cove

Many of the pictures in  the Landscape Studies  file were done whilst I was on the road.  My best guess is that these kind of seascape images are different,  in that they were probably made along the southern  coast of the Fleurieu Peninsula, even though I don’t immediately recognise these rocks. But I have no memory of making them. I haven’t looked at the negatives or the contact since these were processed  and printed. I cannot even recall who processed the negatives or printed the contact sheets. Was it me or a commercial laboratory?

In 2016 I  am reading these photographs  differently,  and the reason that I was  drawn to this location becomes irrelevant. It now becomes an interpretation of an image, influenced by a contextual memory of  the situation.  The boundaries become blurry as we step into the realm of fiction.

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