The next stage in the archive project after The Bowden Archives is a book with Adam Dutkiewicz entitled Adelaide Photography: from the 1970s –2000 to be published by Moon Arrow Press. It is a historical project that is a step to filling in the large gaps in the history of Australian photography and Adelaide’s late 20th century visual culture.
Tree, South Rd, Adelaide
Adam and I have talked about starting work on the Adelaide photography book after he has completed A Visual History of the Royal South Australian Society of Arts 1856-2016 Volume 2 book. At this stage the start would be towards the end of 2017, or the beginning of 2018. Continue reading
In the previous post I mentioned that I would now concentrate on other images from the archives now that The Bowden Archives has all the images it needs. I have recently been mulling over what to do with these non-Bowden images, and I have decided that some will go into the Adelaide book whilst the others will go towards a new book project with Moon Arrow Press.
suburbia, northern Adelaide
This is the independent press run by Adam Jan Dutkiewicz and which published my Abstract Photography book in 2016. Adam and I had a chat about this Adelaide photography book recently, and we tentatively agreed to start working on it next year, after he finishes Volume 2 of the Visual History of the Royal South Australia Society of Arts book. Continue reading
The Bowden Archives section of the photographic archive has been sorted and edited into a book, which is to be published in 2018. It consists of 50 images and two essays. I will now concentrate on other images from the archives:
In a previous post I mentioned that I would go to Victor Harbor occasionally. Suzanne, my partner’s mother lived at Victor Harbor and we started to go and stay there on the odd weekend. Whilst staying there I would walk around the rocky foreshore west ofd Petrel Cove photographing the rock formations:
rock abstract, Petrel Cove
I used an old Linhof Technika 70 camera for these rock abstractions.
When I was living in Adelaide I would occasionally travel to Victor Harbor for day trips in the Kombi. I didn’t know that much about the Fleurieu Peninsula. I had heard that lots of people who grew top in Adelaide used to have their summer holidays on the southern coast of the Fleurieu Peninsula. The temperatures on this coast were lower than in Adelaide during the summer.
An archival photo of a house in Tabernacle Road, Encounter Bay, Victor Harbor in South Australia:
Tabernacle Rd, Encounter Bay
These were only occasional cursory trips as I didn’t find the township attractive or inviting. It was a small, commercial centre for agriculture and day tourists. It became quiet ugly during the peak tourist season.
One of the places that I used to visit and photograph was Port Adelaide and along the Port River estuary. I was initially attracted to the architecture of the industrial and commercial sites along and nearby the polluted Port River, as these signified the drivers of modernity in South Australia. Both sides of the Port Adelaide River had been zoned as sites for industrial expansion and the industry that was there used the river as a drain. In the 1980s large sections along the banks of the river were empty sites, and they were, to all intents and purposes, edge lands. These, however, were not empty urban landscapes evacuated of people.
silos + Holden, Port Adelaide
Living in the suburbs, driving a Holden with free time at Port Adelaide for play is what the historical experience of being modern was in Adelaide. Those who were making the cars, the washing machines and the TV sets could also buy them.
Photography, if you like, was where art and the categories of everyday life met. This stood in marked contrast to the avant-garde at the Experimental Art Foundation, which along with the major art institutions and the practitioners of a post modernist staged and fictive modes of photography associated photography with a simplified and enfeebled realm of an outmoded pictorial style and a naive account of representation.
On their account realism, with its facile assumptions of visual transparency and deceptive form of natural representation equated realism with positivism’s view that the pictures of the world are in some uncomplicated sense reflections of the world. Realism was deemed to be out of date and second rate— it belonged to a dingy corner of a dusty Victorian cupboard—- rather than realism being viewed as a process of critical recovery and historical remembrance. Continue reading
Once I’d purchased a VW Kombi I was able to make little road trips outside of the city, I started exploring around the Adelaide Hills and the Mt Lofty Ranges. I was stunned to see how small the city of Adelaide actually was sitting on the Adelaide plains. It really was an isolated, provincial city when compared to Melbourne and Sydney. It was easy to see how it was becoming marginalised.
city + plains, Adelaide
I was shocked by how barren or stripped the landscape was. The colonial settler society’s ethos of men’s mastery of nature resulted the trees being few and far between in many places. It was a reminder of the significance of agriculture prior to the emergence of manufacturing after 1945. Most land clearing occurred from the turn of the 19th century to the mid-20th century. The post World War 2 land development boom has seen the clearance of hundreds of thousands of hectares of native vegetation in the agricultural regions of the State. By the 1980s over 70 per cent of the land had been cleared. The land tax favoured the clearing of native vegetation not its conservation. Continue reading
The beach is more than a space for people to walk, sunbath and swim. It has a past and a future and this indicates that the sand dunes and the fragile dune vegetation are in need different forms of coastal protection and management. Hence the use of both sand-drift fencing to help restore and protect dune systems from erosion, by trapping wind-blown sand in the vicinity of the fence where natural vegetation is not sufficient to do so effectively, and various revegetation and restoration projects.
sand dunes, coastal Adelaide
Beaches have a history and for Adelaide’s coastal beaches this history is one of coastal degradation.
Prior to European settlement, the beaches were naturally replenished from the dunes and the southern beaches, and therefore sand movement could continue almost indefinitely. Predominant wave energy hitting beaches from the southwest naturally shifted sand in a northerly direction along the coastline with most of the sand accumulating at Semaphore and North Haven. Development along our coast however, has resulted in large quantities of the sand supply either being ‘locked up’ (eg., ate the harbours at Glenelg and West Beach) or removed from the beach system, preventing natural replenishment. As a result, natural processes and coastal storms have continually eroded beach width, and without artificial replenishment, the sand will continue to erode away, exposing the underlying hard rocks and clays. Continue reading