Adelaide Photography: 1970-2000

The next stage in the archive project after The Bowden Archives  is a book with Adam Dutkiewicz entitled Adelaide Photography: from the 1970s –2000 to be published by Moon Arrow Press.  It is a  historical project that is a step to filling in the large  gaps in the history of Australian photography and Adelaide’s late 20th century visual culture.

Tree, South Rd, Adelaide

Adam and I have talked about starting work on the Adelaide photography  book after he has completed  A Visual History of  the Royal South Australian Society of Arts 1856-2016 Volume 2 book.  At this stage the start would be  towards the end of 2017,  or the beginning of 2018. Continue reading

suburbia, northern Adelaide

In the previous post I mentioned that I would now concentrate on other images from the archives now that The Bowden Archives  has all the images it needs. I have recently been mulling over what to do with these non-Bowden images,  and I have decided that some will go into the Adelaide book whilst the others will go towards a new book project with Moon Arrow Press.

suburbia, northern Adelaide

This is the independent  press  run by Adam Jan Dutkiewicz and which published my Abstract Photography book in 2016.  Adam and I had a chat about this Adelaide photography book recently,   and we tentatively agreed  to start working on  it next year,  after  he finishes Volume 2 of the Visual History of the Royal South Australia Society of Arts book.    Continue reading

rock abstract

The Bowden Archives section of the photographic  archive has been sorted and edited into a book, which is  to  be published in 2018.  It consists of  50 images and two essays. I will now concentrate on other images from the archives:

In a previous post I mentioned that I would go to Victor Harbor occasionally.  Suzanne, my partner’s mother lived at Victor Harbor and we started to go and stay there on the odd weekend. Whilst staying there  I would walk around the rocky foreshore west ofd Petrel Cove photographing the rock formations:

rock abstract, Petrel Cove

I used an old Linhof Technika 70 camera for these rock abstractions.

Port Adelaide estuary

A talk with  a publisher about the material in the Bowden Archives and Other Marginalia becoming a book, it  was suggested that the proposed book would work  best as a book if it were  cut down to The Bowden Archives. The non-Bowden material will go to the Adelaide book, which has been on the back burner. The focus on Bowden tightens the manuscript,  which was starting to become unwieldy, and the simplification   makes the focus of The Bowden Archives more centred around history and place. I have spent the last week going through the 35mm negatives  of Bowden, and scanning the  best of them.

An example of the pictures in the initial  historical section  of the Adelaide book would be these two pictures of the Port River estuary in this post. The first picture of the mangroves are a reminder  that Port Adelaide  in the early 19th century was once basically a mangrove swamp and marsh surrounding the Port River.   Tides and drainage would continue to be major issues for residents until the first half of the 20th century.

mangroves, Port Adelaide

mangroves, Port Adelaide

The embankments along the river formed a basin within which the early residents worked and lived, but not without some fear. While the embankment kept the River at bay most of the time, the banks could be breached by a high tide. The basin shape meant that any water, even rain, pooled in the town with no drainage outlets.

Continue reading

Cottages, Port Adelaide

The working class cottages  are an  interesting historical aspect of Port Adelaide was the working class cottages. They helped to both give  the Port its working class character,  and  to open a space where one is able to  see an  architectural history that reached backed to the early 20th century, if not the second part of the 19th century. The latter period was when the facilities of the Port were used to export and import supplies for colonial South Australia’s main industries–wheat, wool and mining.

cottage, Port Adelaide

cottage, Port Adelaide

Due to the lack of re-development Port Adelaide was  an historic precinct with  an impressive range of commercial and institutional buildings.   Many  of these have survived, resulting in Port Adelaide having one of the best concentrations of colonial buildings in South Australia. Continue reading

at Port Adelaide

One of the places that I used to visit and photograph was Port Adelaide and along the Port River estuary.   I was initially attracted to the architecture of the  industrial and commercial sites along and nearby the polluted Port River, as these signified the drivers of  modernity in South Australia. Both sides of the  Port Adelaide River  had been zoned   as  sites for  industrial expansion and the industry that was there used the river  as a drain.   In the 1980s large sections along the banks of the river were empty sites,  and they were, to all intents and purposes,  edge lands. These, however,  were not  empty urban landscapes evacuated of people.

silos + Holden, Port Adelaide

silos + Holden, Port Adelaide

Living in the suburbs, driving a Holden with free time at Port Adelaide for play is what  the historical experience of  being modern was in Adelaide. Those who were making  the cars, the washing machines and the TV sets could also buy them.

Photography, if you like,  was where art and the categories of  everyday life met. This stood in marked contrast to the avant-garde at the Experimental Art Foundation, which along with the major art institutions and the practitioners of a post modernist staged and fictive modes of photography  associated photography with a simplified and enfeebled realm of an outmoded pictorial style and a naive account of representation.

On their account realism, with its facile assumptions  of visual transparency and deceptive form of  natural representation  equated realism with positivism’s view that the pictures of the world are in some uncomplicated sense  reflections of the world.  Realism was deemed to be out of date and second rate—  it belonged to a dingy corner of a dusty Victorian cupboard—- rather than realism being viewed  as a process of critical recovery  and historical remembrance.  Continue reading

The Adelaide hills

Once I’d  purchased   a VW Kombi I was able to make little road trips  outside of the city, I started exploring  around the Adelaide Hills and the Mt Lofty Ranges. I was stunned to see how small the city of Adelaide actually was sitting on  the Adelaide plains. It really was an isolated,  provincial city when compared to Melbourne and Sydney. It was easy to see how it was becoming marginalised.

city + plains, Adelaide

city + plains, Adelaide

I was shocked by how barren or stripped the landscape was. The colonial settler society’s ethos of men’s mastery of nature  resulted the  trees being few and far between in many places.  It was a reminder of the significance of agriculture prior to the emergence of manufacturing after 1945. Most land clearing occurred from the turn of the 19th century to the mid-20th century.  The  post World War 2 land development boom has seen the clearance of hundreds of thousands of hectares of native vegetation in the agricultural regions of the State. By the 1980s over 70 per cent of the land had been cleared. The land tax favoured the clearing of native vegetation  not its conservation.      Continue reading